Wait, so now COMMON is a cop-killer & a “Gangsta Rapper”??!

Fuckin insanity! As a redirect for their inherent racist processing, the conservatives have struck again, this time pulling out psuedo-ethical bazookas on the most non-aggressive, veggie-eating M.C. to ever become a household name. Clearly the name Common is not common at all in the cornfed households of Tea Party America.

The former Crocheted-pants wearer became the target of political crossfire when an invite was extended to him by First Lady Michelle Obama to join for an evening of Poetry at the White House. This was immediately met with opposition from republican pundits and contributing bloggers on newsfeeds.

The total removal from the rest of the metropolitan and pop-culture aware world is evident from jump as made painfully obvious from titles of articles addressing Common as a “gangsta rapper”. http://www.associatedcontent.com/article/8043601/first_lady_michelle_obama_invites_common.html?cat=9 Not only was it clear that these folks were not privy to the fact that Common is damn near the poster child for socially conscious rap, but it also seems that they have been living under a rock to not recognize him as a familiar face on the big screen in several Blockbuster films. It was a total isolation from anything relatively urban.

The way the writers have manipulated the angles to present their view is ugly. It’s also scary when you think of the reality that this is really all it takes to incite other like-minded folk who are not in the know and haven’t the slightest idea who this rap artist is and can be swayed to categorize him as a threat. It’s easy to stir up shit amongst the uninformed whose minds are already halfway made-up.

The main argument stemming from the opposing factions centers around an excerpt from Common’s appearance on the early 2000’s original HBO program Def Poetry Jam. In the vivid spoken word piece about police brutality and institutional racial profiling, Common recites poetic language that is retaliatory in nature, but alludes to striking back at the president and crooked cops with equal violent measures. His words were extracted and highlighted in a literal context to illustrate the writer’s sensationalized claims that Common is an advocate of cop-killing and presidential assassination. They go as far as to delve into how the president can lose backing from police forces due to this appearance. Read a full example of this argument here http://dailycaller.com/2011/05/10/liberals-support-conservatives-attack-rappers-white-house-invite/

Of course to us who have grown up in these melting pots under the wave of Hip-Hop influence and witnessed the maturation of the artist formerly known as Common Sense from animated B-Boy backpacker to sensitive Pro-Black voice for struggle and universal peace, this is ass backwards on all accounts. But you can see how, as one who has never heard of him, receiving this description of him as a first impression and reading the transcription of these lyrics (especially when misled to believe these are lyrics from his songs as a rapper instead of from a poetry piece intended to be incendiary and representative of a frustrated and oppressed group), how this can be severely alarming and damaging.

The White House defended their invite, citing that Common’s greater efforts have trumped any of his more questionable ones (Which was made clear that the President doesn’t condone). Yet from the comments on those articles that have slandered the rapper – who still showed up and thanked the First couple for backing their decision, it is easy to see how effective the word choice of the conservative writers was. It’s this mob mentality that gives people like Bill O’ Reilly movement and helps lump rappers all into one monolith that would see Will.I.Am in the same box as a 50 Cent. It’s all just nigger music to them and it has no business in the influential realms outside of niggerdom. Even tho it has proven to be the most influential force of unison in the freeworld today.

The day that Common is threat to society and national security, then the world truly is going to end on May 21st

“The Push” pt. 1

So Since this is the first installment of my “Hot 16…or more…” Segment where I post a written version of my verses for those of you who just Looovvve lyrics, or those of you who just didn’t catch half of the Flyness compacted and compounded in each sentence, I figured it’s only right that I start off with the Very FIRST song I ever put out as a debut solo artist.

I present, “The Push”

This is the first and ONLY song that I had in my possession when I first entered the game and the web world. This premiere coincided with My putting up my website, My myspace page and Appearing on Rap City in the Booth.

In fact, they all premiered on the same exact day; September 25th, 2006.

I recorded this with the intent to ‘Change The Game’ and definitely make an impression, so I had limited time because my resources and studio access was limited. I went to D.C. because My girlfriend at the time lived there, and that city was the only place where I knew someone with a studio setup.

So I asked my boy Shak If I could record something one day while I was there. On the night before I came back to New York, I recorded this – a 100 bar mixtape style track where 5 beats that all are known for incorporating the word “Push” blend into each other and force me to rap in a different style with each change.  I picked beats with the word “Push” because I thought it was fitting – I’m pushing myself and my name out. I also knew I could flip different styles because the beats were so different, and I always wanted to rhyme over some of them…like the Salt N’ Pepa joint especially. I thought it was Pretty Genius.

I still do actually.

This was my one chance to make a first impression on all of the thousands of people who would see me grace the booth on BET and look me up to see what I had to offer. I had to do something special.

So here’s Part 1 of that;

Hope you learn something…

“Wait a second, ain’t no Second Best – I bet I set it for the records-For the books,

Tell your man move like the vocals on the sample, unless he want The Push..

To come to shovin’ cousin – trust that he don’t want it cause I never let him off the Hook,


Cheddar in the oven like I’m baking Zitti – Liky got some Bread he gotta cook!

But I’m never full enough to pull an upchuck on the game,

so I’m pulling stunts – jumping from another Buckle up to bump in your frame.

From the same fist that knuckle up to sucker punch – better Buckle Up ‘fore I bump-in your frame,

Get the picture now? I ain’t finished ’til I get some bullets up on my name


Number 1 by me, on the Charts – I had a little Vison,

Let ’em know the campaign’s “Sign Me!”…

A&R’s go and get a pen quick!

Critics say my generation’s gone and it lack ambition,

That’s when I get in Carlton Banks mode…

Haters Try to Aunt Viv him.

I’m just tryin’a get up on my rich kid, on my business – yeah The Prince is…


As Will Smith is in Hitch, but this Wild Wild West

Harlem! that’s the Hundreds,

Brawls and scraps at Ruckers,

Cars and cats that’s hustlin’,


Back to the fun it’s…

Phillip Banks – tryin’a Fill up banks – ain’t no Hilary, but still a little Swank

I’m the Million Dollar Baby, you can hate me – tell ’em Break a leg!

When I throw ’em out the back – throw ’em out like Jazz

Ain’t no way that Rap’s goin’ out like Jazz – I’m Count Basie – He came from the very same place that…

Got them boys that count Base, E, D, Marijuana, Crack,

In the form of weight and ki’s – ‘specially in The heights where Dominicanas’ at.

Ain’t no way they runnin’ out of that -ya’ll just keep on lookin,

While they bring more crooks in,

Powder keep on pushin…


Path that he’s on is defying Gravity Pa,

Cause I’m Fly,

– I’m Tallying off,

-all these guys – I bury your Bars!”

Hope you learned something…